A meet-cute is critical to any fictional romance, especially a young adult one. It’s the magical moment when your two characters meet for the first time. It’s the scene that gives a reader that first impression of their relationship, and will determine how shippable they are. And whether or not the actual character’s first impressions…
Author: Sophia Scudder
Dear Evan Hansen: Writing a Story that Wrestles with Darkness
Have you ever read a story that feels too dark? Rather than offering goodness or even a clear message about the world, maybe the story was just filled with hopeless event after hopeless event. Maybe it didn’t offer anything aside from an interesting plot or characters, and even those were corrupted by evil and darkness….
Aladdin: The “Save The Cat” Moment
One of the best ways to make your character relatable is to give them flaws. They make your characters seem more human and give them something to change by the end of the story. Without them, it is impossible to make drastic character arcs (which Mara talked about last week) and difficult to make your…
Hannah Coulter: Three Tips for Writing Characters In the Opposite Gender
Have you ever been writing a character of the opposite gender and suddenly felt doubtful? What if your character isn’t realistic? What if they’re doing something a person in their gender would never do? What if someone reads your story and becomes offended? These are valid worries. Writing characters in the opposite gender can be…
Spider-Man: No Way Home: Use the Power of Contrast
Stories are powerful. They can make someone cry, repent, laugh, and even skip for joy. So it’s a shame when a story doesn’t reach its full potential and neglects to make their reader feel anything. Even stories that have loveable characters and a varied plotline, or even have a strong, wholesome theme, can still fail…
Heartless: Anti-Heros (Again!)
A while ago, I wrote an article on positive anti-heroes that explored how some characters can start out in a morally gray area, but eventually transition to becoming a force for good. However, I also mentioned in that article that there’s another kind of anti-hero: the negative kind. Rather than taking a turn for the…
Bluey: What Makes a Children’s Story More Than Just A Story For Children
For the past few weeks, Mara and I have been writing about complexity. Especially when it comes to plot, it’s a useful tool that can elevate almost any story, but what if you don’t want to have a complex plot? What if you’re looking to tell a much simpler story, for a much younger audience?…
Flipped: Enhancing Your Theme With Multiple Perspectives
Imagine you just started a story, and everything is going perfectly. Your characters are cooperating, the plot is entertaining, and you can’t wait to continue writing. The only problem? The theme you chose to convey in your story is complicated, and you have a word limit. There are so many aspects of your theme you…
Writing Workshop: How To Craft An Incredible Concept for Your Novel
Mara has been doing a wonderful job at showing you how to create vibrant and loveable characters, but your characters will need a story to go with them, right? Though you may put a lot of effort and time into your characters, no one will even get the chance to meet them if your readers…
Gilmore Girls: Writing Complex Characters
Some stories just stick. You know the ones I’m talking about. The kind of stories that take up a lot of space in your brain. The stories that spark a long, meaningful discussion with your parent or friend. The stories that are just complex enough to make you think. However, without complexity, most books simply…