I think we can all acknowledge that no story is perfect. Even the very best fiction has some element that could be stronger, or at the very least a criticism that we can understand, even if we don’t agree with it. As writers, our own work is no different. No matter how many books on…
Category: Articles
Sophie Quire and the Last Storyguard: The Power of Character Goals
Across many books, movies, and TV shows, writers often seem to include whole casts of characters who have very little reason to participate in the plot. They’re certainly interesting, often with complicated pasts, deep relationships, and meaningful dialogue, but they don’t have a clear reason to participate in the story. They might have a mild…
The Hunger Games: When to Write a Death
I used to struggle a lot with character deaths. I would have a wide cast of characters spread out before me, know it was unrealistic to have them all make it out of the story alive, and then force myself to kill one or two of them in the climax. But I always second-guessed myself….
Infinity Train: The Power of Sad Moments
The more I think about it, the more I’m convinced that there aren’t enough sad moments in fiction, especially when a character has died and the rest of the cast is dealing with the grief. We might get a short glimpse of their funeral, or even a line or two of dialogue that shows the…
Ant-Man: Don’t be Afraid of Depth
It’s hard to share things that are close to your heart. It can be even harder to write them. It’s difficult to write scenes when your characters cry or share their deepest fears, because it’s the most vulnerable moment in your entire book. If your readers relate to their most passionate thoughts and secrets, your…
The Lion, The Witch, and The Wardrobe: How to Transport Your Readers
At this point, enough fantasy characters have traveled through magical portals to reach far-away worlds. That trope — a magic circle with teleportation properties — a has become cliched and predictable, with many readers asking for more creative devices to transport protagonists between two worlds. But coming up with a brand-new method of transportation can…
The Great Gilly Hopkins: When to End Your Story
We all know those sorts of endings. They’re the ones that leave us readers with dozens of open-ended questions. The last sentence that makes us shout ‘What? That’s it?!’ The kind that inspires fan-fiction. The kind that make us try to force another page of writing into existence with nothing but pure willpower. The kind…
Honor Among Thieves: Let Your Characters Fail
There is so much good that could be said about Honor Among Thieves. It might be the best movie that came out of 2023. I’ve known I want to write a blog post about it for months, but most of what makes the story so good is just its strength in the foundational aspects storytelling…
Matilda the Musical: Write a Role Model
Most characters nowadays only represent different moral shades of gray. They’re often heartbroken, bloodthirsty, or constantly acting on some deeper, darker motive. Even if a wise mentor does happen to appear, they are usually portrayed as a crusty old hermit who points the protagonist in the right direction and does nothing more. Recent stories have…
The Tale of Momo: Write From a New Perspective
The middle of our stories can often be the hardest to master. Even plotters like myself, with extensive planning done beforehand and a crystal-clear vision of the scenes just a few steps ahead, can get stuck in the middle. Sometimes the plot seems predictable or the characters are repeating themselves or you need to add…