At the Story Fortress, we believe you can learn something from every story. Whether its characters are flawless, the plot is boring, or its the best-written mystery of all time, we believe that you can become a better writer through analyzing any story — and that’s what we’re here to help you with. From the…
Matilda the Musical: Write a Role Model
Most characters nowadays only represent different moral shades of gray. They’re often heartbroken, bloodthirsty, or constantly acting on some deeper, darker motive. Even if a wise mentor does happen to appear, they are usually portrayed as a crusty old hermit who points the protagonist in the right direction and does nothing more. Recent stories have…
The Tale of Momo: Write From a New Perspective
The middle of our stories can often be the hardest to master. Even plotters like myself, with extensive planning done beforehand and a crystal-clear vision of the scenes just a few steps ahead, can get stuck in the middle. Sometimes the plot seems predictable or the characters are repeating themselves or you need to add…
The Tale of Zuko: Five Reasons to Use the Fish-Out-of-Water Technique
The premise of most stories includes some type of a fish-out-of-water situation. If it didn’t, and the characters stayed safely tucked away in their comfort zones, it wouldn’t make for an interesting story. Although sometimes other elements, events, or even characters intrude into their world and make it uncomfortable, very often a character is forced…
The Tale of Sokka: A Breath of Humor
Tone can be one of the hardest things to master, especially in the first draft of a novel. There’s a fine line between oppressing your reader with needless darkness and adding so much humor that the story seems irreverent. But between those two extremes is the perfect tone, offering enough meaning and impact to create…
The Tale of Iroh: Backstories that Matter
Literature is full of characters with traumatic pasts. Whether a family member is dead, they grew up in an abusive environment, or they’ve been exiled from their home, every character seems to have some variety of trauma. Avatar: The Last Airbender is no exception. Katara’s mom was murdered in front of her, Zuko’s father maimed…
The Tale of Toph and Katara: Three Tips For Writing A Group as Close as the Gaang’s
There are two important dimensions to character relationships. We already looked at one in an article on Age of Ultron, and how you create a group of characters that feels like family by allowing the entire group to interact and play off each other. It’s important to have scenes with your group of characters when…
Lovely War: How to Write a YA Meet-Cute (That Isn’t Annoying)
A meet-cute is critical to any fictional romance, especially a young adult one. It’s the magical moment when your two characters meet for the first time. It’s the scene that gives a reader that first impression of their relationship, and will determine how shippable they are. And whether or not the actual character’s first impressions…
Sokka Vs. Zuko: Two Ways to Execute a Character Arc
Some character arcs are more dramatic than others. They’re the redemption arcs that you’ll never forget. The ones with choices so difficult that you wonder if you’d ever be able to make a choice like that, too. The moments when the characters fail, and it almost crushes you, and then they finally turn and make…
Dear Evan Hansen: Writing a Story that Wrestles with Darkness
Have you ever read a story that feels too dark? Rather than offering goodness or even a clear message about the world, maybe the story was just filled with hopeless event after hopeless event. Maybe it didn’t offer anything aside from an interesting plot or characters, and even those were corrupted by evil and darkness….
WandaVision: Writing Broken Characters as Positive Protagonists
At this point, you’ve probably heard the complaints around modern protagonists and characters in general. Most characters seem to be on a grayscale morally — they make decisions typically only reserved for villains. They have been described as morally broken. Many have complained that there are so few examples of good morality in modern storytelling….