Early this year, I wrote an article talking about how crucial it is to write characters who balance two, seemingly opposite characteristics. We looked at how powerful those characters can be, and how easily they avoid becoming yet another overused cliche or falling into a tired troupe. But not all characters can balance two opposing…
Sense and Sensibility: The Flat Character Arc
Not all characters have to develop. This can be a little surprising, especially in a time when character development is so emphasized in the literary realm. Please don’t get me wrong. Most of your characters should develop. The majority of them should not be static. I have an article coming about just how awesome writing…
The Incredibles Versus Big Hero 6: Two Kinds of Storytelling
Last year, when I was doing research for my first article on Big Hero 6, I came across an article contrasting the movie with The Incredibles. It offered several points that the author believed made The Incredibles a better movie, and one point particularly stood out to me. While The Incredibles offers character development and…
Age of Ultron: Write a Group that Feels like Family
I recently rewatched Age of Ultron for the first time since it was released in 2015. For all the hate it has gotten, I expected to find a villain with no motivation or interest, a lack of a theme, or at least some serious deviation from the protagonists’ character arcs or personality. But I found…
Hannah Coulter: Three Tips for Writing Characters In the Opposite Gender
Have you ever been writing a character of the opposite gender and suddenly felt doubtful? What if your character isn’t realistic? What if they’re doing something a person in their gender would never do? What if someone reads your story and becomes offended? These are valid worries. Writing characters in the opposite gender can be…
Inside Out: Use Character Choices
We talked about character choices in an article last year, and they seem to be stressed a fair amount in other writing blogs, books, and communities as well. But from a writer’s perspective, they can seem pretty pointless. When you’re in complete control of a plot, the side characters, and even the very world itself,…
Spider-Man: Far From Home: Use the Power of Contrast
Stories are powerful. They can make someone cry, repent, laugh, and even skip for joy. So it’s a shame when a story doesn’t reach its full potential and neglects to make their reader feel anything. Even stories that have loveable characters and a varied plotline, or even have a strong, wholesome theme, can still fail…
Beauty and the Beast: Circular Storytelling and the Live-Action Remake
Earlier this month we looked at circular storytelling, and how it elevates simple stories far above their predictable plots to create memorable tales that stick with readers and viewers. Disney utilized this technique especially throughout the Disney Renaissance, a series of highly successful animated movies that quickly became well-loved classics. From The Little Mermaid to…
Heartless: Anti-Heros (Again!)
A while ago, I wrote an article on positive anti-heroes that explored how some characters can start out in a morally gray area, but eventually transition to becoming a force for good. However, I also mentioned in that article that there’s another kind of anti-hero: the negative kind. Rather than taking a turn for the…
The Lion King: The Power of Circular Storytelling
Simple stories can come across as a little boring, especially to the writer. I mean, who wants to write just a simple, straightforward story with a few characters that fill very distinct, straight-forward roles? There is less opportunity for plot holes and complications, to be sure, but in a world full of stories with mind-bending…