At the Story Fortress, we believe you can learn something from every story. Whether its characters are flawless, the plot is boring, or its the best-written mystery of all time, we believe that you can become a better writer through analyzing any story — and that’s what we’re here to help you with. From the…
We’ve all read a book featuring the now-famous YA protagonist trope. She’s determined and mature beyond her years. Always an orphan, skilled in some sort of combat, and thrust into positions of power and influence beyond her years. She faces a confusing love triangle, and navigates complicated romantic conflicts as well as political or physical…
Imagine you have a beautiful setting for your characters. You have the language, the culture, and even the currency all figured out for your brand new world. On the other hand, you have your story. Your characters are all fleshed out and you know exactly how the plot is going to play out. The only…
Most writers know how themes work: our protagonist rejects a specific truth or message because of their fatal flaw, spends the entire book fighting against accepting it, and is finally forced to confront their flaw just before the climax in a painful but ultimately transforming experience known as their Epiphany. Accepting the truth whole heartedly,…
In the young writing community, there’s a lot of pressure to be a prodigy. Some of that can be good. It’s important to not be limited by your age or the expectations of older individuals around you. There are a lot of writers with a wealth of untapped talent because they believe they are too…
There’s a lot of discussion in the world of storytelling about how to address politics in writing. From reboots that speak to social issues to brand-new stories with blunt political messaging, politicization has been a recurring issue especially in the last few years, and it doesn’t seem to be going away anytime soon. But the…
You know those really annoying characters? They’re beyond ‘adorkable’ without being straight up evil, yet they always manage to say the wrong thing, always push everyone’s buttons, and always make the situation ten times more awkward. Those kinds of characters who, of course, mean well but can’t seem to get through a conversation without making…
Mysteries can be some of the hardest books to write. Between convoluted plots, contrived resolutions, and painfully obvious clues that only lead to one individual, there are a lot of common pitfalls that are insanely easy to fall into as a writer. But that doesn’t mean they are inevitable. This summer I read the mystery-novel-turned-television-drama…
Most stories show good vs. evil. There are the good guys who everyone loves and roots for, and the bad-guys who we long to see defeated. It’s meant to mirror reality and show us how we’re supposed to handle light and darkness in the real world. For ages, both in fiction and non-fiction writers have…
We’ve all come across parts of our story that we, as writers, have complete control of. The screenwriters get to decide when Spider-Man runs out of web fluid. The writers can choose how much the traitor knew before he betrayed his friends to the villains. Whether or not the fans fall in love with Huntrix’s…
Sometimes the struggles that your characters face don’t feel relevant. I don’t just mean the outward struggles like killing a dragon or withstanding physical torture, because hardly anyone can relate to something that drastic. I mean that those moments when your protagonist is forced to make a decision through tearful eyes aren’t any good if…