At the Story Fortress, we believe you can learn something from every story. Whether its characters are flawless, the plot is boring, or its the best-written mystery of all time, we believe that you can become a better writer through analyzing any story — and that’s what we’re here to help you with. From the…
One Piece: Balancing Tone and Stakes
Certain stories bring with them an almost tangible brightness. It’s hard to describe, but something about them just seems unbeatably optimistic, even if the characters themselves face challenges, heartache, and even grief. These stories are heartwarming and often glorify adventure, romance, or friendship, using these elements to brighten the story. Despite the darker themes and…
Just Add Magic: How to Write Flashbacks
Incorporating your character’s backstory into your novel can be difficult. On the one hand, you want your readers to understand the emotional depth behind your character’s actions, but on the other hand, you don’t want your readers drowning in exposition. Writing backstory requires a delicate balance, one that is often achieved by including flashbacks. They…
Migration: In Defense of a Low-Stakes Climax
Migration has almost everything you’d look for in a family-centered comedy: well-developed but humorous characters, hilarious gags, and its stunning visuals are truly unique, balancing the unique dynamic of classic 2D animation with three-dimensional depth. It highlights family themes, sibling relationships, and a call to adventure all within a refreshingly simple premise and plot. For…
You’ve Got Mail: How to Write an Adorkable Character (Who Isn’t Super Annoying)
There is a certain type of of characters out there who really annoy their readers. They try to be adorably awkward and quirky, but only end up coming across the page as cliche or just plain awkward. In other words, the writers try to contrast two personality traits (in this case, being both cute and…
Megamind: How To Write a Character Who Switches Goals
When I first read a story where the protagonist switched goals, I was irritated. The entire book had revolved around a certain goal. It had formed the central conflict of the entire story, the focal point of the protagonist’s development and internal conflict. And yet by the end the characters just… abandoned it. The story…
IF: Know Your Strengths
I think we can all acknowledge that no story is perfect. Even the very best fiction has some element that could be stronger, or at the very least a criticism that we can understand, even if we don’t agree with it. As writers, our own work is no different. No matter how many books on…
Sophie Quire and the Last Storyguard: The Power of Character Goals
Across many books, movies, and TV shows, writers often seem to include whole casts of characters who have very little reason to participate in the plot. They’re certainly interesting, often with complicated pasts, deep relationships, and meaningful dialogue, but they don’t have a clear reason to participate in the story. They might have a mild…
The Hunger Games: When to Write a Death
I used to struggle a lot with character deaths. I would have a wide cast of characters spread out before me, know it was unrealistic to have them all make it out of the story alive, and then force myself to kill one or two of them in the climax. But I always second-guessed myself….
Infinity Train: The Power of Sad Moments
The more I think about it, the more I’m convinced that there aren’t enough sad moments in fiction, especially when a character has died and the rest of the cast is dealing with the grief. We might get a short glimpse of their funeral, or even a line or two of dialogue that shows the…
Ant-Man: Don’t be Afraid of Depth
It’s hard to share things that are close to your heart. It can be even harder to write them. It’s difficult to write scenes when your characters cry or share their deepest fears, because it’s the most vulnerable moment in your entire book. If your readers relate to their most passionate thoughts and secrets, your…