At the Story Fortress, we believe you can learn something from every story. Whether its characters are flawless, the plot is boring, or its the best-written mystery of all time, we believe that you can become a better writer through analyzing any story — and that’s what we’re here to help you with. From the…
The Hunger Games: Why The Love Triangle Worked
In the beginning of the month, I wrote an article on what not to do when writing a love triangle. I went through many of the common pitfalls and difficulties that come up when writers include a love triangle in their story carelessly. But it’s completely possible to avoid those traps and write a love…
Anastasia the Musical: Using A Love Triangle To Elevate Your Story
Like we talked about last week, love triangles can easily ruin a novel. However, despite everything young adult stories such as Twlight or The Inheritance Games might have led you to believe, love triangles don’t always have to be that way. Some love triangles can move a plot forward, give each character a chance to…
Inheritance Games: Why Love Triangles Are Risky
Love triangles have been written in all kinds of stories. They’re immensely popular not only in the young adult and romance genres, but also across fiction in general. And while there is definitely a time and a place for love triangles, too many authors include them when they aren’t necessary, assume they’re quick and low-effort…
Thor Ragnarok: How To Use Your Plot to Leverage Your Tone
We’ve talked a lot about tone on the blog lately. Whether you’re trying to manage a darker, more serious story without being overly violent, or if you want to balance a lighter story with higher stakes, managing your story’s tone is a multifaceted topic that requires a combination of several tools to do well. Although…
Trollhunters: Letting Your Characters Grow
Last summer, I wrote about how the majority of stories to fall into two general categories — cast-focused and protagonist-focused. In a more in-depth article, we explored the strengths and weaknesses of both kinds and how they change your story. Mixing the two types happens occasionally, but it has to be done intentionally or it…
One Piece: Balancing Tone and Stakes
Certain stories bring with them an almost tangible brightness. It’s hard to describe, but something about them just seems unbeatably optimistic, even if the characters themselves face challenges, heartache, and even grief. These stories are heartwarming and often glorify adventure, romance, or friendship, using these elements to brighten the story. Despite the darker themes and…
Just Add Magic: How to Write Flashbacks
Incorporating your character’s backstory into your novel can be difficult. On the one hand, you want your readers to understand the emotional depth behind your character’s actions, but on the other hand, you don’t want your readers drowning in exposition. Writing backstory requires a delicate balance, one that is often achieved by including flashbacks. They…
Migration: In Defense of a Low-Stakes Climax
Migration has almost everything you’d look for in a family-centered comedy: well-developed but humorous characters, hilarious gags, and its stunning visuals are truly unique, balancing the unique dynamic of classic 2D animation with three-dimensional depth. It highlights family themes, sibling relationships, and a call to adventure all within a refreshingly simple premise and plot. For…
You’ve Got Mail: How to Write an Adorkable Character (Who Isn’t Super Annoying)
There is a certain type of of characters out there who really annoy their readers. They try to be adorably awkward and quirky, but only end up coming across the page as cliche or just plain awkward. In other words, the writers try to contrast two personality traits (in this case, being both cute and…
Megamind: How To Write a Character Who Switches Goals
When I first read a story where the protagonist switched goals, I was irritated. The entire book had revolved around a certain goal. It had formed the central conflict of the entire story, the focal point of the protagonist’s development and internal conflict. And yet by the end the characters just… abandoned it. The story…