Orphans are possibly one of the most overused tropes in fiction. There are probably hundreds, maybe thousands, of fictional children without parents because the author didn’t want to add extra characters. And, as a writer, I totally get it! Parents are just easier to push out of the picture so the child protagonist can do…
Falcon and the Winter Soldier: “Do Better, Senator. Do Better.”
There were certain aspects of good storytelling that Disney+’s Falcon and the Winter Soldier did well. The villain, Karli, is sympathetic yet also evil. Karli is confused, hurt, and willing to hurt others if it will supposedly make things right. The series resolved several open threads from both protagonists’ character arcs, including Bucky’s struggle over…
The Village: How to Write a Killer Plot Twist
‘Yeah, I saw that coming,’ Is not something a writer wants to hear. You’ve just revealed your shocking plot-twist and… no one is surprised. The reader saw it coming the whole time, rendering your plot-twist unmeaningful and bland. Your ‘big’ moment doesn’t feel that big. In short, your story was predictable. Predictability can completely destroy…
Merida from Brave: It’s All Right To Let Your Characters Be Wrong
Vindication is not only an action, but a very strong emotion. For decades, screenwriters and authors have utilized this tool to pull in their viewers (or readers) and encourage them to cheer for their protagonists. We hear story after story of a brave hero who’s misunderstood and underestimated by his world or society, and only…
The Cruel Prince Versus Pride and Prejudice: Enemies to Lovers
Many people over the course of history have attempted to write about the complexity that is human relationships, and, let’s face it, more often than not, the authors tend to flop when it comes to romance. Specifically, enemies to lovers. Whenever I read a novel or watch a movie in this genre, I always roll…
Johnny Tremain Vs. Fitz: How to Make Arrogant Characters Relatable
Johnny Tremain is one of my (Mara’s) very favorite pieces of fiction. Ester Forbes crafted a character that captured my interest and sympathy from the very first page and didn’t let go until the very last. This is ironic because Johnny is, at least in the beginning, one of the most arrogant characters I have…
Keeper of the Lost Cities: When You Miss Your Character’s Epiphany
We’ve all had an epiphany. That moment when you realize what you’ve been missing this entire time, and begin to set out to fix it. Those moments can be some of the most powerful, emotional moments of our entire lives. And that is what makes them so important in stories. The epiphany is the moment…
Jack Kelly From Newsies: How to Make Wonderfully Relatable Characters
There’s just something special about certain fictional characters. You probably know the ones I’m talking about: the loveable, heart-warming ones that seem so real you could almost reach over and give them that hug they deserve. They’re the characters you cry with, the ones you whoop for joy with, the ones who make a lasting…
Cinder: How to Keep Your Fairy-Tale Retelling Fresh
Let’s be honest…there are way too many versions of Cinderella. Every country you can name has their own rendition of this story, not to mention there’s dozens more ‘unique’ versions in America alone. From a Barbie to a zombie to a sneakerhead teen, Cinderella has been through it all. So if you’ve ever tried to…
Wednesday Addams: How to Show Internal Conflict (Without Bursting into Song)
There’s a reason many people enjoy musicals. The music is beautiful and riveting. Most often, the acting is fantastic. But the most entrancing of all is when the characters belt out their desires and fears to the audience in their earth-shattering musical number. It’s one of the best feelings in the world when you leave…