Writing believable character development can often be difficult. After managing to craft a perfect character, corrupting them with a flaw, and then dragging them through enough events to completely destroy them, it often seems impossible to prove that this flaw — which has now been such an integral part of their character — is gone…
Category: Articles
Hamilton: The Best Way to Write Friends to Enemies
Drastically changed relationships, similar to the enemies-to-lovers troupe, are extremely difficult to keep smooth. As we talked about in my Cruel Prince article human relationships are complicated and hard to get right. One of the most complex relationships, and the one we’ll be discussing today, are friends-to enemies bond. In one scene, your characters could…
Spider-Man: Into the Spider-Verse: The Perfect Mentor-Apprentice Relationship
We’ve all seen it a hundred times before. The grizzled old mentor is called out of retirement at last. Hardened and tough from years of experience, he is extremely doubtful and perhaps even adamantly against training someone as inexperienced and arrogant as our young protagonist. But full of energy and will, the stubborn apprentice wins…
Secrets of Sulphur Springs: Use Your Parents!
Orphans are possibly one of the most overused tropes in fiction. There are probably hundreds, maybe thousands, of fictional children without parents because the author didn’t want to add extra characters. And, as a writer, I totally get it! Parents are just easier to push out of the picture so the child protagonist can do…
Falcon and the Winter Soldier: “Do Better, Senator. Do Better.”
There were certain aspects of good storytelling that Disney+’s Falcon and the Winter Soldier did well. The villain, Karli, is sympathetic yet also evil. Karli is confused, hurt, and willing to hurt others if it will supposedly make things right. The series resolved several open threads from both protagonists’ character arcs, including Bucky’s struggle over…
The Village: How to Write a Killer Plot Twist
‘Yeah, I saw that coming,’ Is not something a writer wants to hear. You’ve just revealed your shocking plot-twist and… no one is surprised. The reader saw it coming the whole time, rendering your plot-twist unmeaningful and bland. Your ‘big’ moment doesn’t feel that big. In short, your story was predictable. Predictability can completely destroy…
Merida from Brave: It’s All Right To Let Your Characters Be Wrong
Vindication is not only an action, but a very strong emotion. For decades, screenwriters and authors have utilized this tool to pull in their viewers (or readers) and encourage them to cheer for their protagonists. We hear story after story of a brave hero who’s misunderstood and underestimated by his world or society, and only…
The Cruel Prince Versus Pride and Prejudice: Enemies to Lovers
Many people over the course of history have attempted to write about the complexity that is human relationships, and, let’s face it, more often than not, the authors tend to flop when it comes to romance. Specifically, enemies to lovers. Whenever I read a novel or watch a movie in this genre, I always roll…
Johnny Tremain Vs. Fitz: How to Make Arrogant Characters Relatable
Johnny Tremain is one of my (Mara’s) very favorite pieces of fiction. Ester Forbes crafted a character that captured my interest and sympathy from the very first page and didn’t let go until the very last. This is ironic because Johnny is, at least in the beginning, one of the most arrogant characters I have…
Keeper of the Lost Cities: When You Miss Your Character’s Epiphany
We’ve all had an epiphany. That moment when you realize what you’ve been missing this entire time, and begin to set out to fix it. Those moments can be some of the most powerful, emotional moments of our entire lives. And that is what makes them so important in stories. The epiphany is the moment…